{"title":"Australia","description":"","products":[{"product_id":"age-of-consent-le","title":"AGE OF CONSENT - LE","description":"\u003cdiv class=\"product_description\"\u003e\n\u003cstrong\u003e\u003cb\u003e\u003cem\u003eTHIS ITEM WAS A LIMITED EDITION AND IS NOW OUT-OF-PRINT.\u003cbr\u003e\u003ca href=\"https:\/\/www.powerhousefilms.co.uk\/collections\/standard-editions\"\u003eSTANDARD EDITIONS ARE HERE\u003c\/a\u003e.\u003c\/em\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cem\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003cdiv\u003e\u003cb\u003e(Michael Powell, 1969, 107\/100 mins)\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ci\u003eRelease date: 26 November 2018\u003c\/i\u003e \u003cem\u003e(OOP date: 6 November 2020)\u003c\/em\u003e\u003cbr\u003eLimited Blu-ray Edition (UK Blu-ray premiere)\u003c\/p\u003e\n\u003cp\u003eBased on Norman Lindsay's controversial autobiographical 1935 novel, \u003ci\u003eAge of Consent\u003c\/i\u003e is the story of an artist (James Mason), grown tired of producing art for wealthy Americans, who moves to the wilds of Australia’s Great Barrier Reef where he meets Cora (Helen Mirren), a teenage girl who inspires him and becomes his muse – as well as the object of his desire.\u003c\/p\u003e\n\u003cp\u003eThe penultimate film from the great Michael Powell (\u003ci\u003eBlack Narcissus\u003c\/i\u003e, \u003ci\u003eThe Red Shoes\u003c\/i\u003e, \u003ci\u003ePeeping Tom\u003c\/i\u003e), \u003ci\u003eAge of Consent\u003c\/i\u003e explores the obsessive nature of an artist approaching the twilight of his career. Misjudged and mis-handled on its initial release (when the distributor removed key scenes and re-scored the film), \u003ci\u003eAge of Consent\u003c\/i\u003e is now regarded as one of Powell’s key works.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eINDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh Definition remaster\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio\u003c\/li\u003e\n\u003cli\u003eTwo presentations of the film: the 2005 restoration of the director’s cut, scored by Peter Sculthorpe (107 mins); and the studio cut, scored by Stanley Myers (100 mins)\u003c\/li\u003e\n\u003cli\u003eAudio commentary with film historian Kent Jones (2009)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Beauty of the Image: The John Player Lecture with Michael Powell\u003c\/i\u003e (1971, 85 mins): archival audio recording of the celebrated filmmaker in conversation with Kevin Gough-Yates at London’s National Film Theatre \u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Guardian Interview with Michael Powell and Emeric Pressburger\u003c\/i\u003e (1985, 105 mins): archival audio recording of the Archers in conversation with Ian Christie at London’s National Film Theatre\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eAge of Innocence \u003c\/i\u003e(2018, 38 mins): an in-depth appraisal of \u003ci\u003eAge of Consent\u003c\/i\u003e by Ian Christie, author of \u003ci\u003eArrows of Desire: The Films of Michael Powell and Emeric Pressburger\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMaking ‘Age of Consent’\u003c\/i\u003e (2009, 17 mins): production manager Kevin Powell, composer Peter Sculthorpe and editor Anthony Buckley recall the film’s turbulent history \u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMartin Scorsese on ‘Age of Consent’\u003c\/i\u003e (2009, 6 mins): the acclaimed director discusses the impact and legacy of Powell’s film \u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eHelen Mirren: A Conversation with Cora\u003c\/i\u003e (2009, 13 mins): the award-winning actor reflects on one of her earliest and most memorable film roles\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eDown-Under with Ron and Valerie Taylor\u003c\/i\u003e (2009, 10 mins): a conversation with the celebrated underwater photographers\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Boy Who Turned Yellow\u003c\/i\u003e (1972, 54 mins): Powell and Pressburger’s final collaboration, made for the Children’s Film Foundation\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eImage gallery: promotional photography and publicity material for \u003ci\u003eAge of Consent\u003c\/i\u003e and \u003ci\u003eThe Boy Who Turned Yellow\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitles for the deaf and hard-of-hearing\u003c\/li\u003e\n\u003cli\u003eLimited edition exclusive 40-page booklet with new essays by Samm Deighan and Vic Pratt, archival recollections by the cast and crew, an overview of contemporary critical responses, and film credits•UK premiere on Blu-ray\u003c\/li\u003e\n\u003cli\u003eLimited Edition of 3,000 copies\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e#PHILTD112 \u003cbr\u003eBBFC cert: 15 \u003cbr\u003e\u003cstrong\u003eREGION FREE\u003c\/strong\u003e \u003cbr\u003eEAN: 5037899071687\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Powerhouse Films Ltd","offers":[{"title":"Default Title","offer_id":13265987928127,"sku":"PHILTD112","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/3810\/6175\/products\/112_AGE_OF_CONSENT_BD_2D_packshot_72dpi_1000px_transp.png?v=1537600069"},{"product_id":"roadgames-le","title":"ROADGAMES - LE","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cb\u003eTHIS ITEM WAS A LIMITED EDITION AND IS NOW OUT-OF-PRINT.\u003cbr\u003e\u003ca href=\"https:\/\/www.powerhousefilms.co.uk\/collections\/standard-editions\"\u003eSTANDARD EDITIONS ARE HERE\u003c\/a\u003e.\u003c\/b\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e(Richard Franklin, 1981, 101 mins)\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eRelease date: 14 December 2020 (OOP date: 12 June 2021)\u003cbr\u003e\u003c\/em\u003eLimited Edition Blu-ray (UK Blu-ray premiere)\u003c\/p\u003e\n\u003cp\u003eStacy Keach (\u003cem\u003eFat City\u003c\/em\u003e) and Jamie Lee Curtis (\u003cem\u003eHalloween\u003c\/em\u003e) star in Richard Franklin’s 1981 Australian slasher classic, inspired by Alfred Hitchcock’s \u003cem\u003eRear Window\u003c\/em\u003e. Keach plays Quid, an American trucker who, with the help of Curtis’s hitchhiker, tracks down a serial killer active on the long, empty roads of southern Australia. This deluxe, extras-laden edition boasts an all-new 2020 restoration from a 4K scan of the duplicate negative, produced exclusively for this release.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eBrand new restoration by Powerhouse Films, from a new 4K scan of the internegative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal mono audio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with director Richard Franklin and film historian Perry Martin (2003)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with cinematographer Vincent Monton, costume designer Aphrodite Kondos, production secretary Helen Watts, and filmmaker Mark Hartley (2019)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with writers and programmers Anna Bogutskaya and Olivia Howe (2020)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eKangaroo Hitchcock\u003c\/i\u003e\u003cspan\u003e (2003, \u003c\/span\u003e\u003cspan\u003e20 mins): archival documentary on the making of \u003c\/span\u003e\u003ci\u003eRoadgames\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eAustralian Long Haul\u003c\/i\u003e\u003cspan\u003e (2019, 14 mins): actor Stacy Keach reflects on the role of Pat Quid and working in Australia\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eArchival Interview with Richard Franklin\u003c\/i\u003e\u003cspan\u003e (1981, 26 mins): the director discusses his early films and  \u003c\/span\u003e\u003ci\u003eRoadgames\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio interviews with Richard Franklin (2001, 23 mins), Stacy Keach (2016, 10 mins), and stunt co-ordinator Grant Page (2016, 33 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e‘Not Quite Hollywood’ Interview Excerpts\u003c\/i\u003e\u003cspan\u003e (2008, 64 mins): over an hour of outtakes from Hartley’s acclaimed documentary on Australian cinema, featuring Franklin, Page, actors Keach and Jamie Lee Curtis, screenwriter Everett De Roche, and assistant director Tom Burstall\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e‘Roadgames’:\u003c\/i\u003e \u003ci\u003eA Lecture\u003c\/i\u003e\u003cspan\u003e (1980, 131 mins): archival recording of Franklin, co-producer Barbi Taylor and composer Brian May\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eTrouble Bound\u003c\/i\u003e\u003cspan\u003e (2020, 13 mins): appreciation by film historian Neil Sinyard\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eScript Read\u003c\/i\u003e\u003cspan\u003e (1980, 117 mins): audio recording of a pre-production read-through, featuring Franklin, Keach and Marion Edward\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMusic Demos\u003c\/i\u003e\u003cspan\u003e (1980, 5 mins): excerpts from the Brian May score in demo form\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e…And His Ghost May Be Heard\u003c\/i\u003e\u003cspan\u003e (1973, 15 mins): rare short film directed by Franklin\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage gallery: promotional and publicity materials\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew and improved English subtitles for the deaf and hard-of-hearing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLimited edition exclusive 80-page book with a new essay by Lee Gambin, archival interviews with Franklin, Keach and Curtis, Franklin’s 1980 Alfred Hitchcock obituary, an overview of contemporary critical responses, Mark Hartley on \u003c\/span\u003e\u003ci\u003e…And His Ghost May Be Heard\u003c\/i\u003e\u003cspan\u003e, and film credits\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLimited edition exclusive double-sided poster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUK premiere on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLimited edition of 5,000 individually numbered units\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e#PHILTD198\u003cbr\u003eBBFC cert: 15\u003cbr\u003e\u003cstrong\u003eREGION B\u003cbr\u003e\u003c\/strong\u003eEAN: 5060697920635\u003c\/p\u003e","brand":"Powerhouse Films Ltd","offers":[{"title":"Default Title","offer_id":32997770166335,"sku":"PHILTD198","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/3810\/6175\/products\/198_ROADGAMES_slipcase_3D_72dpi_RGB_transp.png?v=1599613805"},{"product_id":"age-of-consent-bd","title":"AGE OF CONSENT - BD","description":"\u003cp\u003e\u003cb\u003e(Michael Powell, 1969, 107\/100 mins)\u003cbr\u003e\u003c\/b\u003e\u003cem data-mce-fragment=\"1\"\u003eRelease date: 22 March 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStandard Edition Blu-ray\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased on Norman Lindsay's controversial autobiographical 1935 novel, \u003ci\u003eAge of Consent\u003c\/i\u003e is the story of an artist (James Mason), grown tired of producing art for wealthy Americans, who moves to the wilds of Australia’s Great Barrier Reef where he meets Cora (Helen Mirren), a teenage girl who inspires him and becomes his muse 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Keach plays Quid, an American trucker who, with the help of Curtis’s hitchhiker, tracks down a serial killer active on the long, empty roads of southern Australia. This extras-laden edition boasts an all-new 2020 restoration from a 4K scan of the duplicate negative, produced exclusively for this release.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cb\u003eINDICATOR STANDARD EDITION SPECIAL FEATURES\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eBrand new restoration by Powerhouse Films, from a new 4K scan of the internegative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal mono audio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with director Richard Franklin and film historian Perry Martin (2003)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with cinematographer Vincent Monton, costume designer Aphrodite Kondos, production secretary Helen Watts, and filmmaker Mark Hartley (2019)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with writers and programmers Anna Bogutskaya and Olivia Howe (2020)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eKangaroo Hitchcock\u003c\/i\u003e\u003cspan\u003e (2003, \u003c\/span\u003e\u003cspan\u003e20 mins): archival documentary on the making of \u003c\/span\u003e\u003ci\u003eRoadgames\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eAustralian Long Haul\u003c\/i\u003e\u003cspan\u003e (2019, 14 mins): actor Stacy Keach reflects on the role of Pat Quid and working in Australia\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eArchival Interview with Richard Franklin\u003c\/i\u003e\u003cspan\u003e (1981, 26 mins): the director discusses his early films and  \u003c\/span\u003e\u003ci\u003eRoadgames\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio interviews with Richard Franklin (2001, 23 mins), Stacy Keach (2016, 10 mins), and stunt co-ordinator Grant Page (2016, 33 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e‘Not Quite Hollywood’ Interview Excerpts\u003c\/i\u003e\u003cspan\u003e (2008, 64 mins): over an hour of outtakes from Hartley’s acclaimed documentary on Australian cinema, featuring Franklin, Page, actors Keach and Jamie Lee Curtis, screenwriter Everett De Roche, and assistant director Tom Burstall\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e‘Roadgames’:\u003c\/i\u003e \u003ci\u003eA Lecture\u003c\/i\u003e\u003cspan\u003e (1980, 131 mins): archival recording of Franklin, co-producer Barbi Taylor and composer Brian May\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eTrouble Bound\u003c\/i\u003e\u003cspan\u003e (2020, 13 mins): appreciation by film historian Neil Sinyard\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eScript Read\u003c\/i\u003e\u003cspan\u003e (1980, 117 mins): audio recording of a pre-production read-through, featuring Franklin, Keach and Marion Edward\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMusic Demos\u003c\/i\u003e\u003cspan\u003e (1980, 5 mins): excerpts from the Brian May score in demo form\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e…And His Ghost May Be Heard\u003c\/i\u003e\u003cspan\u003e (1973, 15 mins): rare short film directed by Franklin\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage gallery: promotional and publicity materials\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew and improved English subtitles for the deaf and hard-of-hearing\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e#PHIBD198\u003cbr\u003eBBFC cert: 15\u003cbr\u003e\u003cstrong\u003eREGION B\u003cbr\u003e\u003c\/strong\u003eEAN: \u003cspan\u003e5060697921847\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Powerhouse Films Ltd","offers":[{"title":"Default Title","offer_id":39392265895999,"sku":"PHIBD198","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/3810\/6175\/products\/198_ROADGAMES-SE_packshot_72dpi_1000px_transp.png?v=1744119146"},{"product_id":"mad-dog-morgan-le","title":"MAD DOG MORGAN - LE","description":"\u003cdiv class=\"product_description\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003e\u003cb\u003e\u003cem\u003eTHIS ITEM WAS A LIMITED EDITION AND IS NOW OUT-OF-PRINT.\u003cbr\u003e\u003ca href=\"https:\/\/www.powerhousefilms.co.uk\/collections\/standard-editions\"\u003eSTANDARD EDITIONS ARE HERE\u003c\/a\u003e.\u003c\/em\u003e\u003c\/b\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_description\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e(Philippe Mora, 1976, 103\/95 mins)\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eRelease date: 21 March 2022 (UK edition OOP date: 7 April 2022)\u003cbr\u003e\u003c\/em\u003eLimited Edition Blu-ray (UK Blu-ray premiere)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBased on the true story of Dan Morgan – the infamous Australian outlaw once described as ‘the most bloodthirsty ruffian that ever took to the bush’ – \u003cem\u003eMad Dog Morgan\u003c\/em\u003e provides the perfect showcase for the unique star quality of Dennis Hopper (\u003cem\u003eNight Tide\u003c\/em\u003e, \u003cem\u003eThe Last Movie\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eAfter witnessing a bloody massacre of Chinese workers on Australia’s goldfields, Morgan turns to a life of crime, becoming a bushranger and the scourge of the vicious authorities – and, ultimately, a local legend – leaving a bloody legacy in his wake.\u003c\/p\u003e\n\u003cp\u003eNominated for two Australian Film Institute Awards, including one for director Philippe Mora (\u003cem\u003eThe Beast Within\u003c\/em\u003e), \u003cem\u003eMad Dog Morgan\u003c\/em\u003e is a brutal and uncompromising slice of Ozploitation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNew restoration from a 4K scan of the interpositive by Powerhouse Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo presentations of the film: \u003ci\u003eMad Dog Morgan\u003c\/i\u003e, the 103-minute director’s cut; and \u003ci\u003eMad Dog\u003c\/i\u003e, the 95-minute UK\/US theatrical cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal mono audio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with writer-director Philippe Mora and film critic Jake Wilson (2019)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with writer-director Philippe Mora (2009)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eTo Shoot a Mad Dog\u003c\/i\u003e (1976, 25 mins): behind-the-scenes documentary featuring interview footage with actor Dennis Hopper, produced and directed by David Elfick\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eHopping Mad\u003c\/i\u003e (2019, 34 mins): Mora reflects on the film’s production and working with Hopper\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eThat’s Our Mad Dog: A Conversation with Dennis Hopper \u0026amp; Philippe Mora\u003c\/i\u003e (2008, 29 mins): the legendary actor looks back at his experience of making the film\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003e‘Not Quite Hollywood’ Interview Excerpts\u003c\/i\u003e (2008, 67 mins): extensive selection of outtakes from Mark Hartley’s acclaimed documentary on Australian cinema, featuring Mora, producer Jeremy Thomas, camera operator John Seale, and actors Jack Thompson, Roger Ward and Graeme Blundell\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eInterview with Mike Molloy\u003c\/i\u003e (2009, 8 mins): the director of photography in discussion with Mora\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eInterview with Richard Brennan\u003c\/i\u003e (2009, 6 mins): the associate producer in conversation with Mora\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eRadio Interview with Philippe Mora\u003c\/i\u003e (1976, 15 mins)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eMad Country: Shooting Locations Revisited\u003c\/i\u003e (2019) with optional audio commentary by Mora\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eArchival Intro\/Outro with Philippe Mora\u003c\/i\u003e (2009, 8 mins)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage gallery: promotional and publicity material\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProduction diary gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew and improved English subtitles for the deaf and hard of hearing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLimited edition exclusive 80-page book with a new essay by Tara Judah, Philippe Mora’s pre-production notes on \u003ci\u003eMad Dog Morgan\u003c\/i\u003e, archival interview with Mora, archival article by Mora on the making of the film, Jeremy Thomas on \u003ci\u003eMad Dog Morgan\u003c\/i\u003e, an overview of contemporary critical responses, and film credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLimited edition exclusive double-sided poster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUK\/US premiere on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLimited edition of 4,000 individually numbered units for the UK and US\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e#PHILTD226\u003cbr\u003eBBFC cert: 15\u003cbr\u003e\u003cstrong\u003eREGION FREE\u003cbr\u003e\u003c\/strong\u003eEAN: 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\u003cem\u003eThe Last Movie\u003c\/em\u003e).\u003cbr\u003e\u003cbr\u003eAfter witnessing a bloody massacre of Chinese workers on Australia’s goldfields, Morgan turns to a life of crime, becoming a bushranger and the scourge of the vicious authorities – and, ultimately, a local legend – leaving a bloody legacy in his wake.\u003cbr\u003e\u003cbr\u003eNominated for two Australian Film Institute Awards, including one for director Philippe Mora (\u003cem\u003eThe Beast Within\u003c\/em\u003e), Mad Dog Morgan is a brutal and uncompromising slice of Ozploitation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR STANDARD EDITION SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew restoration from a 4K scan of the interpositive by Powerhouse Films\u003c\/li\u003e\n\u003cli\u003eTwo presentations of the film: \u003cem\u003eMad Dog Morgan\u003c\/em\u003e, the 103-minute director’s cut; and \u003cem\u003eMad Dog\u003c\/em\u003e, the 95-minute UK\/US theatrical cut\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio\u003c\/li\u003e\n\u003cli\u003eAudio commentary with writer-director Philippe Mora and film critic Jake Wilson (2019)\u003c\/li\u003e\n\u003cli\u003eAudio commentary with writer-director Philippe Mora (2009)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTo Shoot a Mad Dog\u003c\/em\u003e (1976, 25 mins): behind-the-scenes documentary featuring interview footage with actor Dennis Hopper, produced and directed by David Elfick\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eHopping Mad\u003c\/em\u003e (2019, 34 mins): Mora reflects on the film’s production and working with Hopper\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThat’s Our Mad Dog: A Conversation with Dennis Hopper \u0026amp; Philippe Mora\u003c\/em\u003e (2008, 29 mins): the legendary actor looks back at his experience of making the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e‘Not Quite Hollywood’ Interview Excerpts\u003c\/em\u003e (2008, 67 mins): extensive selection of outtakes from Mark Hartley’s acclaimed documentary on Australian cinema, featuring Mora, producer Jeremy Thomas, camera operator John Seale, and actors Jack Thompson, Roger Ward and Graeme Blundell\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eInterview with Mike Molloy\u003c\/em\u003e (2009, 8 mins): the director of photography in discussion with Mora\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eInterview with Richard Brennan\u003c\/em\u003e (2009, 6 mins): the associate producer in conversation with Mora\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRadio Interview with Philippe Mora\u003c\/em\u003e (1976, 15 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMad Country: Shooting Locations Revisited\u003c\/em\u003e (2019) with optional audio commentary by Mora\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eArchival Intro\/Outro with Philippe Mora\u003c\/em\u003e (2009, 8 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class=\"product_description\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"product_description\"\u003e\n\u003cstrong\u003e\u003cb\u003e\u003cem\u003eTHIS ITEM WAS A LIMITED EDITION AND IS NOW OUT-OF-PRINT.\u003cbr\u003e\u003ca href=\"https:\/\/www.powerhousefilms.co.uk\/collections\/standard-editions\"\u003eSTANDARD EDITIONS ARE HERE\u003c\/a\u003e.\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e(Philippe Mora, 1976, 103\/95 mins)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_description\"\u003e\n\u003cp\u003e\u003cem\u003eRelease date: 22 March 2022 (OOP date: 27 July 2022)\u003cbr\u003e\u003c\/em\u003eLimited Edition Blu-ray (US Blu-ray premiere)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBased on the true story of Dan Morgan – the infamous Australian outlaw once described as ‘the most bloodthirsty ruffian that ever took to the bush’ –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMad Dog Morgan\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eprovides the perfect showcase for the unique star quality of Dennis Hopper (\u003cem\u003eNight Tide\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Last Movie\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eAfter witnessing a bloody massacre of Chinese workers on Australia’s goldfields, Morgan turns to a life of crime, becoming a bushranger and the scourge of the vicious authorities – and, ultimately, a local legend – leaving a bloody legacy in his wake.\u003c\/p\u003e\n\u003cp\u003eNominated for two Australian Film Institute Awards, including one for director Philippe Mora (\u003cem\u003eThe Beast Within\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMad Dog Morgan\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a brutal and uncompromising slice of Ozploitation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNew restoration from a 4K scan of the interpositive by Powerhouse Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo presentations of the film: \u003ci\u003eMad Dog Morgan\u003c\/i\u003e, the 103-minute director’s cut; and \u003ci\u003eMad Dog\u003c\/i\u003e, the 95-minute UK\/US theatrical cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal mono audio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with writer-director Philippe Mora and film critic Jake Wilson (2019)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary with writer-director Philippe Mora (2009)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eTo Shoot a Mad Dog\u003c\/i\u003e (1976, 25 mins): behind-the-scenes documentary featuring interview footage with actor Dennis Hopper, produced and directed by David Elfick\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eHopping Mad\u003c\/i\u003e (2019, 34 mins): Mora reflects on the film’s production and working with Hopper\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eThat’s Our Mad Dog: A Conversation with Dennis Hopper \u0026amp; Philippe Mora\u003c\/i\u003e (2008, 29 mins): the legendary actor looks back at his experience of making the film\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003e‘Not Quite Hollywood’ Interview Excerpts\u003c\/i\u003e (2008, 67 mins): extensive selection of outtakes from Mark Hartley’s acclaimed documentary on Australian cinema, featuring Mora, producer Jeremy Thomas, camera operator John Seale, and actors Jack Thompson, Roger Ward and Graeme Blundell\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eInterview with Mike Molloy\u003c\/i\u003e (2009, 8 mins): the director of photography in discussion with Mora\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eInterview with Richard Brennan\u003c\/i\u003e (2009, 6 mins): the associate producer in conversation with Mora\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eRadio Interview with Philippe Mora\u003c\/i\u003e (1976, 15 mins)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cspan\u003e\u003ci\u003eMad Country: Shooting Locations Revisited\u003c\/i\u003e (2019) with 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Mora\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2008, 29 mins): the legendary actor looks back at his experience of making the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e‘Not Quite Hollywood’ Interview Excerpts\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2008, 67 mins): extensive selection of outtakes from Mark Hartley’s acclaimed documentary on Australian cinema, featuring Mora, producer Jeremy Thomas, camera operator John Seale, and actors Jack Thompson, Roger Ward and Graeme Blundell\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eInterview with Mike Molloy\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2009, 8 mins): the director of photography in discussion with Mora\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eInterview with Richard Brennan\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2009, 6 mins): the associate producer in conversation with Mora\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRadio Interview with Philippe 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When he is assigned a caring new nurse, Kathy (Penhaligon), he becomes possessive, and uses telekinetic powers to torment anyone who comes between them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced by Antony I Ginnane (\u003cem\u003eSnapshot\u003c\/em\u003e), written by Everett De Roche (\u003cem\u003eHarlequin\u003c\/em\u003e), and scored by Brian May (\u003cem\u003eMad Max\u003c\/em\u003e), \u003cem\u003ePatrick\u003c\/em\u003e’s unprecedented international success made it a landmark of the Australian New Wave.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eINDICATOR LIMITED EDITION 4K UHD SPECIAL FEATURES\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBrand-new 4K HDR restoration from the original negative by Powerhouse Films\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003e4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree presentations of the film: the original Australian theatrical version (113 mins); the shortened, re-dubbed US theatrical cut (97 mins); and the Italian-language version, featuring an alternative score by prog-rock legends Goblin, presented with English subtitles for the first time (102 mins)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal mono audio\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio commentary with director Richard Franklin and screenwriter Everett De Roche (2002)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eOn-set Interview with Richard Franklin\u003c\/em\u003e (1978, 10 mins): behind-the-scenes interview with the \u003cem data-mce-fragment=\"1\"\u003ePatrick\u003c\/em\u003e director, conducted by Australian film critic Ivan Hutchinson\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eOn-stage Interview with Richard Franklin\u003c\/em\u003e (2001, 9 mins): previously unseen interview in which the director discusses \u003cem data-mce-fragment=\"1\"\u003ePatrick\u003c\/em\u003e and its unofficial Italian sequel, 1980’s \u003cem data-mce-fragment=\"1\"\u003ePatrick Still Lives\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eA Coffee Break with Antony I. Ginnane\u003c\/em\u003e (2009, 18 mins): the renowned genre-film producer revisits \u003cem data-mce-fragment=\"1\"\u003ePatrick\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e‘Not Quite Hollywood’ Interviews\u003c\/em\u003e (2008, 62 mins): extensive selection of outtakes from Mark Hartley’s acclaimed documentary on Australian cinema, featuring Franklin, Ginnane, De Roche, and actors Susan Penhaligon and Rod Mullinar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eShock Tactics\u003c\/em\u003e (2024, 27 mins): in-depth appreciation by the academic and Australian cinema specialist Stephen Morgan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal theatrical trailers and TV spots\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrench title sequence comparison\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImage galleries: promotional and publicity material, and behind the scenes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew and improved English subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLimited edition exclusive 80-page book with a new essay by Alan Miller, exclusive extracts from director Richard Franklin and producer Antony I Ginnane’s unpublished memoirs, archival interviews with screenwriter Everett De Roche and special-effects supervisor Conrad Rothmann, and full film credits\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWorld premiere on 4K UHD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLimited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e#PHILE430U\u003cbr data-mce-fragment=\"1\"\u003eBBFC cert: 15\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREGION FREE\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eEAN: 5060697923483\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Powerhouse Films Ltd","offers":[{"title":"Default Title","offer_id":40284948398143,"sku":"PHILE430U","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/3810\/6175\/files\/430U_PATRICK_slipcase_3D_72dpi_RGB_transp.png?v=1744118930"},{"product_id":"snapshot-4k-uhd-le","title":"SNAPSHOT - 4K UHD LE","description":"\u003cp\u003e\u003cstrong\u003eTHIS PRODUCT LISTING IS FOR THE 4K UHD EDITION OF THIS TITLE. THE BLU-RAY LISTING CAN BE FOUND \u003ca href=\"https:\/\/www.powerhousefilms.co.uk\/products\/snapshot-blu-ray-le\"\u003eHERE\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e(Simon Wincer, 1979, 93\/105 mins)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRelease date: 25 March 2024\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eLimited Edition Blu-ray\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChantal Contouri (\u003c\/span\u003e\u003cem\u003eThirst\u003c\/em\u003e\u003cspan\u003e), Robert Bruning (\u003c\/span\u003e\u003cem\u003eNed Kelly\u003c\/em\u003e\u003cspan\u003e), and Sigrid Thornton (\u003c\/span\u003e\u003cem\u003ePrisoner: Cell Block H\u003c\/em\u003e\u003cspan\u003e) star in \u003c\/span\u003e\u003cem\u003eSnapshot\u003c\/em\u003e\u003cspan\u003e, a tense Australian thriller that marked the feature debut of director Simon Wincer (\u003c\/span\u003e\u003cem\u003eHarlequin\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eFree Willy\u003c\/em\u003e\u003cspan\u003e).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen naïve hairdresser Angela (Thornton) is persuaded by her model friend Madeline (Contouri) to try glamour modelling, she dreams of escaping her humdrum life and the clutches of her over-protective mother. 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When he is assigned a caring new nurse, Kathy (Penhaligon), he becomes possessive, and uses telekinetic powers to torment anyone who comes between them.\u003cbr\u003e\u003cbr\u003eProduced by Antony I Ginnane (\u003cem\u003eSnapshot\u003c\/em\u003e), written by Everett De Roche (\u003cem\u003eHarlequin\u003c\/em\u003e), and scored by Brian May (\u003cem\u003eMad Max\u003c\/em\u003e), \u003cem\u003ePatrick\u003c\/em\u003e’s unprecedented international success made it a landmark of the Australian New Wave.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrand-new 4K restoration from the original negative by Powerhouse Films\u003c\/li\u003e\n\u003cli\u003eThree presentations of the film: the original Australian theatrical version (113 mins); the shortened, re-dubbed US theatrical cut (97 mins); and the Italian-language version, featuring an alternative score by prog-rock legends Goblin, presented with English subtitles for the first time (102 mins)\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio\u003c\/li\u003e\n\u003cli\u003eAudio commentary with director Richard Franklin and screenwriter Everett De Roche (2002)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn-set Interview with Richard Franklin\u003c\/em\u003e (1978, 10 mins): behind-the-scenes interview with the \u003cem\u003ePatrick\u003c\/em\u003e director, conducted by Australian film critic Ivan Hutchinson\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn-stage Interview with Richard Franklin\u003c\/em\u003e (2001, 9 mins): previously unseen interview in which the director discusses \u003cem\u003ePatrick\u003c\/em\u003e and its unofficial Italian sequel, 1980’s \u003cem\u003ePatrick Still Lives\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Coffee Break with Antony I. Ginnane\u003c\/em\u003e (2009, 18 mins): the renowned genre-film producer revisits \u003cem\u003ePatrick\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e‘Not Quite Hollywood’ Interviews\u003c\/em\u003e (2008, 62 mins): extensive selection of outtakes from Mark Hartley’s acclaimed documentary on Australian cinema, featuring Franklin, Ginnane, De Roche, and actors Susan Penhaligon and Rod Mullinar\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eShock Tactics\u003c\/em\u003e (2024, 27 mins): in-depth appreciation by the academic and Australian cinema specialist Stephen Morgan\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers and TV spots\u003c\/li\u003e\n\u003cli\u003eFrench title sequence comparison\u003c\/li\u003e\n\u003cli\u003eImage galleries: promotional and publicity material, and behind the scenes\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003cli\u003eLimited edition exclusive 80-page book with a new essay by Alan Miller, exclusive extracts from director Richard Franklin and producer Antony I Ginnane’s unpublished memoirs, archival interviews with screenwriter Everett De Roche and special-effects supervisor Conrad Rothmann, and full film credits\u003c\/li\u003e\n\u003cli\u003eLimited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e#PHILE430B\u003cbr\u003eCert: 15\u003cbr\u003e\u003cstrong\u003eREGION FREE\u003c\/strong\u003e\u003cbr\u003eEAN: 5060697923490\u003cbr\u003e\u003c\/p\u003e","brand":"Powerhouse Films Ltd","offers":[{"title":"Default Title","offer_id":40284948725823,"sku":"PHILE430B","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/3810\/6175\/files\/430B_PATRICK_slipcase_3D_72dpi_RGB_transp.png?v=1744118926"},{"product_id":"snapshot-blu-ray-le","title":"SNAPSHOT - Blu-ray LE","description":"\u003cp\u003e\u003cstrong\u003eTHIS PRODUCT LISTING IS FOR THE BLU-RAY EDITION OF THIS TITLE. THE 4K UHD LISTING CAN BE FOUND \u003ca href=\"https:\/\/www.powerhousefilms.co.uk\/products\/snapshot-4k-uhd-le\"\u003eHERE\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e(Simon Wincer, 1979, 93\/105 mins)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRelease date: 25 March 2024\u003c\/em\u003e\u003cbr\u003eLimited Edition Blu-ray \u003cbr\u003e\u003cbr\u003eChantal Contouri (\u003cem\u003eThirst\u003c\/em\u003e), Robert Bruning (\u003cem\u003eNed Kelly\u003c\/em\u003e), and Sigrid Thornton (\u003cem\u003ePrisoner: Cell Block H\u003c\/em\u003e) star in \u003cem\u003eSnapshot\u003c\/em\u003e, a tense Australian thriller that marked the feature debut of director Simon Wincer (\u003cem\u003eHarlequin\u003c\/em\u003e, \u003cem\u003eFree Willy\u003c\/em\u003e).\u003cbr\u003e\u003cbr\u003eWhen naïve hairdresser Angela (Thornton) is persuaded by her model friend Madeline (Contouri) to try glamour modelling, she dreams of escaping her humdrum life and the clutches of her over-protective mother. 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