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Dennis Price (\u003cem\u003eFortune Is a Woman\u003c\/em\u003e) and George Cole (\u003cem\u003eA Prize of Gold\u003c\/em\u003e) play feuding officers in the military farce \u003cem\u003eDon’t Panic Chaps\u003c\/em\u003e. Bob Monkhouse (\u003cem\u003eCarry On Sergeant\u003c\/em\u003e), Leslie Phillips (\u003cem\u003eYou Must Be Joking!\u003c\/em\u003e), and Shirley Eaton (\u003cem\u003eThe Blood of Fu Manchu\u003c\/em\u003e) are stranded in France during a disastrous holiday in \u003cem\u003eA Weekend with Lulu\u003c\/em\u003e. Finally, \u003cspan\u003eJohn Meillon (\u003cem\u003eCrocodile Dundee\u003c\/em\u003e) plays\u003c\/span\u003e a seaman who is late for his own wedding in the marital farce \u003cem\u003eWatch It, Sailor!\u003c\/em\u003e, which also stars \u003cspan\u003eGraham Stark (\u003cem\u003eYou Must Be Joking!\u003c\/em\u003e), \u003c\/span\u003ethe legendary Liz Fraser (\u003cem\u003eThe Smallest Show on Earth\u003c\/em\u003e) and Irene Handl (\u003cem\u003eConfessions of a Driving Instructor\u003c\/em\u003e). \u003c\/p\u003e\n\u003cp\u003eThis collection of long-overdue UK and world Blu-ray premieres contains a wealth of new and archival extra features, including appreciations and interviews with members of the cast and crew, and extensive booklets. Strictly limited to 6,000 numbered units. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePLEASE NOTE THAT THE PACKAGING FOR THIS EDITION WILL BE IDENTICAL TO OUR PREVIOUS HAMMER BOX SETS.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION 4 x BLU-RAY BOXSET SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eTHE UGLY DUCKLING\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K restoration from the original camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDancing the Cha-Cha-Cha\u003c\/em\u003e (2019, 21 mins): actors Jess Conrad and Geremy Phillips, and choreographer Lionel Blair look back fondly at \u003cem\u003eThe Ugly Duckling\u003c\/em\u003e’s musical sequences\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFrom Virtue to Vice\u003c\/em\u003e (2026, 15 mins): film historian Robert Shail on the career of director Lance Comfort\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Tricky Beast\u003c\/em\u003e (2026, 12 mins): appreciation by film historian Kevin Lyons\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eInfamously Fun\u003c\/em\u003e (2026, 7 mins): author Stephen Laws introduces the film\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe BEHP Interview with Len Harris\u003c\/em\u003e (1991, 84 mins): archival audio recording with the camera operator in conversation with Alan Lawson and Manny Yospa\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eUp in the Air\u003c\/em\u003e (1969, 54 mins): feature-length Children’s Film Foundation production starring Jon Pertwee\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage 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collaborator Ronald Holroyd\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFrightfully Funny\u003c\/em\u003e (2026, 28 mins): film historian and author Jonathan Rigby on Hammer’s Columbia comedies\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDifferences Behind Us\u003c\/em\u003e (2026, 9 mins): author Stephen Laws introduces the film\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage galleries: promotional material and publicity manual\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitles for the deaf and hard of hearing\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited edition exclusive 36-page booklet with a new essay by Melanie Williams, notes on the soundtrack by David Huckvale, extracts from the original publicity manual, an overview of contemporary critical responses, and film credits\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWorld premiere 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